Renk algısı araştırmaları psikolojik yönden ve mekânsal yönden iki gruba ayrılmıştır. Yayınlar amaçlarına, yöntemlerine, değerlendirilen değişkenlerine göre gruplandırılarak incelenmiştir. Araştırma kapsamında renk algısı üzerine çeşitli akademik mecralarda yayınlanmış 49 makale/teze yer verilmiştir. Çalışmanın amacı mevcut literatür yayınlarını gruplandırıp analiz ederek elde edilen bulgular ışığında ortaya atılan düşüncenin literatür kaynaklarındaki eksikliğini kanıtlamak ve gelecek çalışmalara kaynak sağlamaktır. Fakat mekândaki renk birlikteliği ve rengin mekândaki kullanım oranının kullanıcı üzerinde farklı algılar oluşturabileceği düşünülmektedir. Yapılan çalışmalar yüksek oranda renklerin mekân genelindeki algısı üzerinedir. Özet-Bu çalışmada, iç mekânda kullanılan rengin kullanıcı algısal değerlendirmesi üzerine yapılan literatür çalışmaları gruplandırılarak analiz edilmiştir. This study’s findings contribute to the interpretation and understanding of new normal workspace interiors after the COVID-19 pandemic so it will be beneficial for decision-makers in addition to researchers who aim to investigate this topic in future studies. Providing a framework for WRIs in terms of function and activity might lead to the semantics of RIs in future studies. In connection with previous studies, which explored creativity in workspaces, this study aims to compile colour-related literature work on workspaces in RIs (WRI) which will require further attention from interior architects to reconsider the discipline under new normal conditions. However,ĬOVID-19 forced revisiting this approach towards RIs and they faced a gap in the literature helping them to design these interiors, especially workspaces, in order to improve their users’ experience.
Therefore, decision-makers (architects, interior architects, designers, and users) took them for granted. Tory and have reflected their users’ identity, culture, and habits until modern times, although design and architecture courses rarely involve residential interiors in their curriculums. Residential interiors (RIs) have been designed by anonymous designers throughout his. Accordingly, it was determined that especially females and interior architects preferred even more the spaces with warm colors having a low usage rate. Furthermore, it was observed that the differences in the color hues used on the walls and the usage rates were changing according to genders and professions. Despite this, it was determined that the spaces where warm colors were used at the rates of 50% and 100% were perceived as more informal. The spaces where warm and cool colors were used at the rate of 10% were perceived as more spacious and beautiful compared to the spaces where colors were used at the rates of 50% and 100%, whereas it was observed that when the values received were from positive to negative, they were listed in the form of 10% > 50% > 100%. In conclusion, it was determined that the living spaces which were colored at a low rate were perceived more positively according to the Semantic Differentiation Scales compared to the completely colored spaces. A total of 233 subjects participated in the research questionnaire and the data obtained was analyzed. With this objective, a living space was designed in a manner that would have three different color hues (warm, neutral, and cool) and usage rates at 10%, 50%, and 100% and digital visuals were prepared. In this study, it was aimed to determine the effects of color hues and usage rates in interior spaces on the spatial perceptions of users.
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